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edward.maurath
HWV63A1N5 - "For Sion lamentations make" in f minor
edward.maurath
3:06 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 7 11 6 100%
Bass 21 2 10 5 100%
View all 16 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 7 11 6 100%
Bass 21 2 10 5 100%
Bassoon Bass 19 0 6 8 100%
Bassoon Continuo Bass 24 0 9 6 100%
Contrabassi Continuo Bass 19 0 7 5 100%
Inferred Bassoon 23 0 7 6 100%
Viole 16 0 4 7 100%
Violini 1 Treble 20 0 8 6 100%
Violini 2 Treble 17 0 7 6 100%
Violoncelli Continuo Bass 20 0 7 5 100%
Alti 10 0 4 7 83%
Soprani 14 0 5 7 83%
Bassi Bass 16 0 5 7 79%
Tenori 12 0 4 7 76%
Oboe 1 Treble 12 0 3 7 72%
Oboe 2 Treble 15 0 6 7 72%
 
HWV7A2N4b - "Il Tricerbero humiliato"
edward.maurath
3:16 Est. Play
Time
59 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 25 39 6 9 97%
Bass 26 21 6 9 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 25 39 6 9 97%
Bass 26 21 6 9 100%
Contrabasses Bass 21 0 5 9 100%
Violins
1		 Treble 21 0 4 9 100%
Violins
2		 Treble 19 0 4 9 100%
Violoncello Bass 21 0 5 9 100%
Violoncellos Bass 21 0 5 9 100%
Rinaldo 17 0 4 8 79%
Viola 10 0 1 6 25%
 
HWB 8-B Terpsicore - Sarabande
edward.maurath
1:50 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 34 7 5 100%
Bass 16 0 4 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 34 7 5 100%
Bass 16 0 4 5 100%
Basso Continuo Bass 16 0 4 5 100%
Contrabasses Bass 16 0 4 5 100%
Violas 15 0 4 5 100%
Violins
1		 Treble 19 0 6 9 100%
Violins
2		 Treble 16 0 5 7 100%
 
Air from Terpsichore, prologue to Il Pastor Fido, HWV 8, late 1734
edward.maurath
3:16 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 21 15 6 11 100%
Bass 18 19 3 9 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 21 15 6 11 100%
Bass 18 19 3 9 100%
Basso

Continuo		 Bass 18 0 3 9 100%
Contrabasses Bass 17 0 3 9 100%
Violas 16 0 3 9 100%
Violini 1 Treble 24 0 5 12 100%
Violini 2 Treble 24 0 5 13 100%
 
"Tuio passi son dardi," from "Il Pastor Fido," HWV 8 (1734-1735)
edward.maurath
2:43 Est. Play
Time
41 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Bass 16 1 3 5 100%
20 25 5 6 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Bass 16 1 3 5 100%
20 25 5 6 100%
Organ Treble 16 0 4 8 100%
Bass 15 0 3 5 100%
Continuo Bass 16 0 3 5 100%
Contrabasses Bass 16 0 3 5 100%
Flute Treble 16 0 4 8 100%
Harp Bass 15 0 3 5 100%
Theorbo Bass 15 0 3 5 100%
Violas 14 0 3 5 100%
Violins
1		 Treble 13 0 3 7 100%
Violins
2		 Treble 16 0 5 5 100%
Apollo 13 0 4 5 87%
Erato 13 0 4 7 86%
 
BWV245N13 - Ach mein Sinn
edward.maurath
7:30 Est. Play
Time
91 Measures
2,153Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Continuo Treble 20 65 7 7 98%
Bass 27 1 10 7 100%
View all 15 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Continuo Treble 20 65 7 7 98%
Bass 27 1 10 7 100%
Bassoon Continuo Bass 27 0 10 7 100%
Violoncello Continuo Bass 27 0 10 7 100%
Oboe Treble 18 0 6 8 99%
Treble 23 0 9 8 99%
Flute Treble 23 0 9 8 99%
Viole 17 0 5 7 99%
Violini 1 Treble 23 0 9 8 99%
Violini 2 Treble 18 0 6 8 99%
Cembalo Continuo Treble 24 89 10 8 97%
Bass 27 2 10 7 98%
Tenore Solo Treble 18 0 7 8 75%
Contra- bassoon Continuo Bass 22 0 6 7 22%
Contrabasso Continuo Bass 18 0 5 7 22%
 
"parolette, rezzi e sguardi" from "Rinaldo," HWV 7 (1731)
edward.maurath
0:01 Est. Play
Time
98 Measures
1,841Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 25 92 5 11 77%
Bass 20 7 3 10 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 25 92 5 11 77%
Bass 20 7 3 10 100%
Violoncello (Continuo) Bass 18 0 3 8 100%
Soprano
as Almirena		 13 0 2 11 77%
Violoncelli (Continuo) Bass 17 0 2 7 76%
Contrabassi (Continuo) Bass 16 0 1 7 75%
Violin Treble 17 0 2 8 75%
 
HWV56N23 - Alto - He was despisèd and rejected
edward.maurath
6:04 Est. Play
Time
67 Measures
1,974Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 28 82 10 7 97%
Bass 21 15 5 9 97%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 28 82 10 7 97%
Bass 21 15 5 9 97%
Organ Treble 28 81 10 7 97%
Bass 21 16 5 9 97%
Violin Treble 21 0 6 7 70%
Treble 21 31 7 9 97%
Cello Bass 19 0 5 9 97%
Viola as
alto		 14 0 5 7 78%
Violone Bass 17 0 4 9 76%
Viola 16 0 3 8 58%
 
HWV56N24 - Surely He hath bourne our grief
edward.maurath
2:51 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 16 11 4 7 96%
Bass 22 4 7 8 100%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 16 11 4 7 96%
Bass 22 4 7 8 100%
Organ Treble 16 11 4 7 96%
Bass 22 4 7 8 100%
Cello Bass 22 0 7 8 100%
Contrabass Bass 22 0 7 8 100%
Viola 15 0 4 9 100%
Violin
1		 Treble 18 0 4 9 100%
Violin
2		 Treble 13 0 4 8 100%
Alto 9 0 2 8 73%
Bass Bass 15 0 6 9 69%
Soprano Treble 11 0 3 9 69%
Tenor 11 0 3 9 69%
 
He shall feed his flock like a shepherd (1741)
edward.maurath
5:39 Est. Play
Time
57 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Continuo Treble 22 73 6 6 100%
Bass 20 21 6 9 96%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Continuo Treble 22 73 6 6 100%
Bass 20 21 6 9 96%
Contrabassi Continuo Bass 22 0 7 9 100%
Viole 19 0 6 8 100%
Violini 1 Treble 21 0 5 9 100%
Violini 2 Treble 20 0 7 7 100%
Violoncelli Continuo Bass 24 0 7 9 100%
Soprano 12 0 3 8 49%
Alto 12 0 3 7 35%
 
HWV56N22 - Behold the Lamb of God!
edward.maurath
3:15 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 60 6 9 100%
Bass 16 25 3 7 97%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 60 6 9 100%
Bass 16 25 3 7 97%
Violin
I		 Treble 17 0 3 8 100%
Violin
II		 Treble 20 0 4 11 100%
Cello Bass 16 0 3 7 97%
Viola 16 0 3 11 97%
VNE Bass 16 0 3 7 97%
Alto 13 0 3 7 81%
Soprano Treble 13 0 3 9 81%
Basso Bass 15 0 3 7 75%
Tenore 14 0 4 8 75%
 
"Il Tricerbero humiliato" from "Rinaldo," HWV 7 (1711 and 1717)
edward.maurath
3:16 Est. Play
Time
59 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 25 39 6 9 97%
Bass 26 22 5 9 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 25 39 6 9 97%
Bass 26 22 5 9 100%
Contrabasses Bass 22 0 5 9 100%
Violins Treble 22 0 4 9 100%
Violins
2		 Treble 20 0 4 9 100%
Violoncello Bass 22 0 5 9 100%
Violoncellos Bass 22 0 5 9 100%
Rinaldo 17 0 4 8 79%
Viola 10 0 1 6 25%
 
K 492: Number 24, "Il caproro e la caprella,"
edward.maurath
3:13 Est. Play
Time
80 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins
1		 Treble 27 3 7 8 100%
Violins
2		 Treble 24 4 7 8 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins
1		 Treble 27 3 7 8 100%
Violins
2		 Treble 24 4 7 8 100%
Violas 17 0 3 9 99%
Celli Bass 19 0 6 5 98%
Contrabasses Bass 16 0 4 4 90%
Marcellina 14 0 3 11 79%
Harpsichord Treble 11 9 0 4 28%
Bass 13 7 1 4 29%
 
Overture in A Major for Giulio Cesare in Egitto, HWV 17
edward.maurath
4:44 Est. Play
Time
62 Measures
2,331Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 21 0 6 9 100%
Treble 22 0 6 9 96%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 21 0 6 9 100%
Treble 22 0 6 9 96%
Violin Treble 22 0 6 9 96%
Treble 20 0 6 9 100%
Bassoon Bass 24 0 8 9 91%
17 1 5 8 77%
Cello Bass 24 0 8 9 91%
Kontrebaß Bass 23 0 8 8 91%
Harpsi Treble 26 58 11 9 88%
Bass 24 0 8 10 90%
Viola 17 1 5 9 83%
 
HWV56N44 - Hallelujah
edward.maurath
4:05 Est. Play
Time
94 Measures
2,411Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Treble 15 71 2 7 99%
Bass 14 31 2 8 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Treble 15 71 2 7 99%
Bass 14 31 2 8 100%
Cello Continuo Bass 19 0 2 7 100%
Contrabass Continuo Bass 20 0 2 8 100%
Viola 16 0 2 8 99%
Violin
I		 Treble 20 0 1 9 98%
Tenor 13 0 1 8 96%
Violin
II		 Treble 21 0 3 8 96%
Bass Bass 14 0 2 8 95%
Alto 13 0 2 8 91%
Soprano 12 0 0 8 87%
Trumpet
I Concert		 Treble 11 0 1 8 64%
Trumpet
II Concert		 Treble 7 0 0 8 51%
Timpani Bass 2 0 0 8 50%